Story and Photos by James Walker
What a majestic long weekend of exceptional jazz with the Chicago Jazz
Ensemble (CJE) kicking things off at Harris Theater downtown Chicago with a superb
evening of classic jazz. CJE, under the direction of Maestro Jon Faddis,
revisited 1959 with a trilogy based on music by Miles Davis, John Coltrane, and
Ornette Coleman, on Thursday, December 10th with the assistance of guest artists
tenor saxophonist David Sanchez and alto saxophonist Steve Wilson.
The evening began with a small ensemble of Sanchez,Wilson, trumpeter Faddis,
pianist Jeremy Kahn, bassist Dan Anderson and musical director , drummer Dana
Hall. This aggregate's rendition of Miles' classic "Kind of Blue" was perhaps
the highlight of the entire evening.
What a rare opportunity to hear the majestic trumpet sounds of Faddis,
uninterrupted by his directing. Faddis is one of the world's finest trumpeter
and on this evening, he demonstrated his skills with those "ohhhh soooooo " high
notes and serene muted tones. To this listener, no one can match his ability to
accomplish these tasks.
Sanchez did his best imitation of Coltrane during this segment, while Wilson's
alto sound was reminiscent of "Cannonball" Adderley from the original "Kind of
Blue " album. Throughout this first set, each horn man had ample opportunity
for extended solos, with Sanchez's solo on "Freddie Freeloader" demonstrating low-
tone, bellow like sounds on the tenor. Wilson, produced highlight sounds on "All
Blues", while, as previously mentioned, Faddis was simply resplendent from start
to finish. Had this august group only performed "Kind of Blue", this listener
would have gone home a "happy camper".
Nevertheless, with the full "Ensemble" joining in during the 2nd set, all was
forgiven, as these guys and gal (trombonist Audrey Morrison) not only backed the
guest artists with efficiency and affect, but also had highlight moments with
trumpeter Pharez Whitted on "Giant Steps", drummer Hall on Coleman's "Congeniality"
and "Eventually" and Anderson's low bass tones on Coleman's "Lonely Woman".
Faddis , Sanchez, and Wilson didn't relax during this segment, as each continued
with outstanding solos, again punctuated by Faddis's piercing sound
on "Congeniality" and Sanchez's splendid run on Coltrane's "Naima".
The evening came to an end with Paul Desmond's classic "Take Five", which, over
time, has become the signature song of pianist Dave Brubeck. All musicians
returned to the stage to take part in this dynamic encore.
CJE's next concert will take place January 15, 2010, at the Harris Theater, as
they pay tribute to the music of Duke Ellington and Louis Armstrong. For ticket
information, refer to their website at www.chicagojazzensemble.com.
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