Jimmy Heath and the Heath Brothers

On this night, the house was pretty well full for the first set. Before hand, Jimmy kept us all in stitches with his jokes and stories (we can't repeat on this family Web site), and later amused everyone with an impromptu remark about a "drooping" microphone. Once the music started, everyone eased in with an original Jimmy composition "A Sound for Sore Ears." Jimmy plays tenor and soprano beautifully, although as owner Joe Segal pointed out, Jimmy used to play alto and was known as "Little Bird." He sounds quite a bit like his friend, Sonny Rollins, but keeps things a bit more grounded. In any case, it was a true joy to hear a saxman who doesn't sound like he's trying to run over his audience with a steamroller. Jimmy is a true musician and gentleman.

The interplay between Jimmy and his brother, drummer "Tootie" was exceptional. Having played together for so many years, the two siblings were able to anticipate each other with precision. And Tootie's playing was phenomenal - often switching between sticks and brushes to produce an array of drum sounds. His smiling face behind dark glasses disguised a fiery and powerful drum approach - and there was no doubt who was holding down the rhythm and propelling the music forward.

Young players, Patton and Wong were given ample opportunities to shine and it was clear that the lessons these two youngsters are learning from their elders will last a lifetime. Both Heaths were vocal in their support of their pupils and their smiles were wide as they listened to Wong and Patton. Jimmy Heath even said that Patton was once one of his students, but that he was now learning from him. Songs like Billy Strayhorn's "Daydream" and another Heath original "Long Gravity" (a play on longevity) were delightful.

Set two was even more exceptional, as all the musicians relaxed even more and spread their wings. A sparkling version of "Gingerbread Man" was a highlight, but perhaps the best moment of the night was the magical version of "'Round Midnight." Hearing these legends play perhaps the greatest jazz tune ever written in such a superb nightclub is something I will cherish for a lifetime myself. Thanks Jimmy and Tootie!